SKU: 36176255565
boss waza craft pedals

boss waza craft pedals Boss MT-2W Waza Craft Metal Zone Pedal

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Description

boss waza craft pedals Boss MT-2W Waza Craft Metal Zone PedalA High Gain Icon, Evolved with Waza Innovation For over 25 years, the MT 2 Metal Zone has been one of the most popular and influential compact pedals in the BOSS lineup, with overall sales that are second only to the venerable DS 1 Distortion. Made in Japan and infused with Waza Craft mojo, the MT 2W takes the iconic stomp to new levels of tonal range and versatility. Standard mode delivers an evolved version of the original mid focused Metal Zone

A High-Gain Icon, Evolved with Waza Innovation

For over 25 years, the MT-2 Metal Zone has been one of the most popular and influential compact pedals in the BOSS lineup, with overall sales that are second only to the venerable DS-1 Distortion. Made in Japan and infused with Waza Craft mojo, the MT-2W takes the iconic stomp to new levels of tonal range and versatility. Standard mode delivers an evolved version of the original mid-focused Metal Zone tone, while Custom mode introduces a fresh, wide-ranging voice that’s perfectly suited for today’s diverse high-gain styles.

The Metal Zone: A Milestone in High-Gain Stomps

First released in 1991 and in continuous production ever since, the MT-2 Metal Zone is loved by guitarists everywhere for its thick, rich distortion and distinctive mid-focused character. Capable of producing a versatile range of heavy tones, the MT-2’s innovative dual-stage gain circuit has influenced legions of pedal designers through the years. Another standout feature is its groundbreaking three-band EQ with parametric midrange, which provides deep sound-shaping ability for covering numerous high-gain styles. The pedal was also one of the first BOSS compacts with dual-concentric knobs, offering expanded control without increasing size.

MT-2W: Refined Tones with Waza Craftsmanship

Like all Waza Craft pedals, the MT-2W infuses an original BOSS analog design with artful refinements for enhanced performance and versatility. The dual-stage gain circuit features a discrete design with carefully selected components, providing premium tones with increased clarity. The EQ has been refined as well, with a smoother midrange tone and unique Q values specially tuned for the pedal’s Standard and Custom modes.

Standard Mode: Enhanced Metal Zone

Supported by the discrete components in the MT-2W’s dual-stage gain circuit, Standard mode takes the Metal Zone’s famous mid-driven sound to the next level. The attack is even more responsive, and the definition and clarity has been enhanced as well. Noise has been reduced too, providing improved performance at ultra-high gain settings.

Custom Mode: Wide and Tight

Engaging the MT-2W’s Custom mode voices the pedal for a huge, wide-ranging sound, making it ideal for nearly any current heavy style. The tone is natural and open, with increased dynamics and rounder lower mids than Standard mode. Even at the highest gain settings, the low end remains full yet tight, focused, and well-defined, perfect for chugging out low-tuned riffs. The sound also cleans up very nicely when reducing your guitar’s volume, putting an extremely balanced range of tones under your fingers.

Features

  • Waza Craft innovation for a premium analog tone experience
  • Innovative dual-stage gain circuit built with discrete analog components
  • Standard mode updates the famous MT-2 Metal Zone sound with improved clarity and lower noise
  • Custom mode delivers full-throttle gain tones with wider range, increased dynamics, and tighter low end
  • Powerful three-band EQ provides intense sound customization with High, Low, and sweepable Midrange and up to 15 dB boost/cut on each band
  • Premium buffer for clean and clear tone when bypassed
  • Made in Japan
  • BOSS five-year warranty
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Exchange/Return Notes
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SKU: 36176255565

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4.0 ★★★★★
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R
Reverend Skull
Omaha, US
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2009
M
Max
Los Angeles, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Chelsea, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Bozeman, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Carnegie, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 30, 2001

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